Similarly, the Minotaur is a bull-headed man: the hybrid of human and notoriously strong, unreasonable male animal. In each of these stories, a blend of improbable elements creates something memorably unpleasant. There is nothing wrong with a man and nothing wrong with a bull; it is the combination of both in a single being that upsets and beguiles.
Bovines are herbivores, but the Minotaur only eats human flesh; cattle sleep at night, while the Minotaur exists in an artificially darkened, nocturnal world. None of the answers seem remotely palatable.
Sarah Connor cycles through various archetypal identities on the way to her true calling. She thus has elements in common with the warrior goddess Diana, the Christian Virgin Mary, and the heroine of the Minotaur story, Ariadne. Ariadne herself starts as a jailer, part of an oppressive and inhumanly vengeful regime, and finishes as a revolutionary. As with Kyle Reece, she falls in love with the one who inspires her at first sight.
There is a sense in both stories that the characters are in thrall to impersonal higher powers, from gods both machine and celestial to fateful time itself. Both narratives feature an emotionally resonant physical linking device. In the story of the Minotaur, Minos has a daughter called Ariadne, who is put in charge of the labyrinth. One group of sacrificial Athenians includes Theseus, with whom Ariadne falls in love. She gives Theseus a sword to kill the Minotaur and a ball of thread with which to trace the route back out of the labyrinth. It is the first time the audience realizes how the disparate chronological narratives of the story are woven together.
The photograph captures an incredibly romantic moment: seemingly hopeless, defiant, and darkly funny. Finally, there is that unknowable quality in both strangely beautiful, frighteningly efficient antagonists. We will never know what the Minotaur thinks, any more than we know what the Terminator thinks. We have hints, sly humor, but mainly a dramatically instilled fear of something physically overwhelming, something utterly unreasonable and profoundly dangerous. And yet to what extent are these creatures responsible for what they are, let alone their actions?
The Terminator is programmed by an entity other than himself, while the Minotaur is the result of a situation twice removed from any conscious decision-making—Pasiphae is bewitched by Poseidon; she is as much an innocent as the sacrificial Athenians.
Rather, each monster is an embodiment of remorseless fate set in train by an abuse of power, which is perhaps why their deaths are so ambiguous. The Minotaur is the more sympathetic of the two, despite his more obvious nightmare quality. There is a sense at the end that he is put out of his misery by Theseus, who then escapes with the Athenian slaves and Ariadne.
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As in The Terminator , however, the lovers do not get to stay together. Minos remains in power, ultimately becoming a Judge of the Dead. Similarly, the death of the Terminator at the end of the first film does not prevent the imminent nuclear war; indeed, the sequel reveals that the embryonic Skynet is created from technology found in the remains of the first Terminator.
Doubtless there is a considerable historical element in the legend, perhaps in the Phoenician origin of Europa; it is possible that not only Athens, but Mycenae itself, were once culturally bound to the kings of Knossos, as Minoan objects appear at Mycenaean sites. Minos himself is said to have died at Camicus in Sicily , where he had gone in pursuit of Daedalus , who had given Ariadne the clue by which she guided Theseus through the labyrinth. He was killed by the daughter of Cocalus , king of Agrigentum , who poured boiling water over him while he was taking a bath.
The earlier legend knows Minos as a beneficent ruler, legislator, and suppressor of piracy.
By a nymph , Pareia, he had four sons, Eurymedon , Nephalion , Chryses and Philolaus, who were killed by Heracles in revenge for the murder of the latter's two companions. By Dexithea , one of the Telchines , he had a son called Euxanthius. By Androgeneia of Phaestus he had Asterion, who commanded the Cretan contingent in the war between Dionysus and the Indians. When Asterion died, his throne was claimed by Minos  who banished Sarpedon and, according to some sources, Rhadamanthys too.
According to the Odyssey he spoke with Zeus every nine years for nine years. He got his laws straight from Zeus himself. When Minos' son Androgeos had won the Panathenaic Games the king, Aegeus, sent him to Marathon to fight a bull, resulting in the death of Androgeos. Outraged, Minos went to Athens to avenge his son, and on the way he camped at Megara where Nisos lived.
Learning that Nisos' strength came from his hair, Minos gained the love of Scylla and her aid in cutting off her father's hair so that he could conquer the city. After his triumph, he punished Scylla for her treachery against her father by tying her to a boat and dragging her until she drowned.
On arriving in Attica, he asked Zeus to punish the city, and the god struck it with plague and hunger. An oracle told the Athenians to meet any of Minos' demands if they wanted to escape the punishment. The Minotaur was defeated by the hero Theseus with the help of Minos' daughter Ariadne. One day, Glaucus was playing with a ball  or mouse  and suddenly disappeared.
The Curetes told the Cretans "A marvelous creature has been born amongst you: whoever finds the true likeness for this creature will also find the child. Polyidus of Argos observed the similarity of a newborn calf in Minos' herd, colored white and red and black, to the ripening of the fruit of the bramble plant, and so Minos sent him to find Glaucus. Searching for the boy, Polyidus saw an owl driving bees away from a wine-cellar in Minos' palace. Inside the wine-cellar was a cask of honey, with Glaucus dead inside.http://taylor.evolt.org/cuteb-conocer-chica.php
Minos demanded Glaucus be brought back to life, though Polyidus objected. Minos shut Polyidus up in the wine-cellar with a sword. When a snake appeared nearby, Polyidus killed it with the sword. Another snake came for the first, and after seeing its mate dead, the second serpent left and brought back an herb which brought the first snake back to life.
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Following this example, Polyidus used the same herb to resurrect Glaucus. Minos refused to let Polyidus leave Crete until he taught Glaucus the art of divination. Polyidus did so, but then, at the last moment before leaving, he asked Glaucus to spit in his mouth. Glaucus did so, and forgot everything he had been taught. Minos justified his accession as king and prayed to Poseidon for a sign. Poseidon sent a giant white bull out of the sea. Daedalus built her a wooden cow, which she hid inside. Daedalus then built a complicated "chamber that with its tangled windings perplexed the outward way"  called the Labyrinth , and Minos put the Minotaur in it.
To make sure no one would ever know the secret of who the Minotaur was and how to get out of the Labyrinth Daedalus knew both of these things , Minos imprisoned Daedalus and his son, Icarus , along with the monster. The myth, Sotelo suggests in this section, is not so much mythological as it is an allegory for a timeless reality — the story of men mistreating or abandoning women, emotionally and physically. This evenhandedness of observation lends her poems an air of indisputability — as if they themselves are a new kind of mythology.
This deepens the exploration of power dynamics which also hinge on gender and age in Virgin , as the experience of otherness and exclusion is central to the idea of race.
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